My Style Is a Mix of My Alabama Upbringing, West African Roots, and New England Education. Finding It Took Some Time.

Finding My Style Took Time: The Impact of Alabama, West Africa, and New England

Personal style is frequently considered a mirror of our identity, influenced by our experiences, surroundings, and cultural backgrounds. In my case, crafting my style has been a slow progression—a journey connecting three unique realms: the warmth and tradition of the American South, the lively and rich culture of West Africa, and the academic refinement of New England living. It required years of discovery, trial and error, and introspection to develop a look that appears genuine—an aesthetic that represents all elements of my origins and the person I have grown to be.

Growing up in Alabama, I was surrounded by a culture that valued presentation. Sunday best wasn’t just a phrase—it was a weekly ritual. Whether it was church, family gatherings, or community events, dressing well was a sign of self-respect and pride. There was a deep connection to tradition, and people put care into how they looked. Southern style often leans toward the classic and the put-together: clean lines, tailored fits, and a touch of elegance that feels both timeless and deeply rooted in local customs. As a child, I didn’t fully understand the weight that clothing carried in these moments, but I felt its importance. That early exposure planted the seeds of my appreciation for thoughtful dressing.

At the same time, my West African background added layers of color, texture, and meaning to my understanding of style. The fabrics, the patterns, the symbolism woven into every thread—these were more than garments. They were expressions of heritage, celebration, and identity. I grew up watching relatives wear garments that told stories—bold prints that conveyed lineage, community status, and even emotion. Whether it was a family wedding or a cultural celebration, these outfits spoke volumes without saying a word. West African fashion, with its unapologetic boldness and intricate design, taught me that clothing could be powerful, even political. It gave me permission to be expressive, to stand out, and to honor where I come from through what I wear.

Afterwards, I arrived in New England—a region where my personal identity and style perception were both put to the test and honed. Experiencing college life in the Northeast exposed me to a distinct visual environment. In this area, fashion embraced simplicity and practicality. The approach was more reserved, subtly sophisticated, and frequently inspired by intellectualism. There was an inherent grace in a well-tailored coat or a pair of impeccably aged leather shoes. Preppy styles combined with urban flair, marking the first occasion I truly considered how to merge my cultural roots with modern fashion in a natural way. Initially, I felt out of sync. My bold Southern and vibrant West African influences contrasted with the muted tones surrounding me. However, over time, I learned to adjust—not by leaving behind my heritage but by integrating it with new aspects.

That integration journey wasn’t instantaneous. I spent a significant period wrestling with the challenge of unifying these aspects of myself. There were moments when I felt overly conventional, excessively boisterous, or insufficiently refined. I would contemplate whether my decisions were suitable or if I was overexerting myself to gain attention. Gradually, however, I understood that genuine style doesn’t stem from adhering to trends or fitting a particular visual—it is derived from self-assurance and a profound comprehension of the reasons behind your wardrobe choices.

Now, when I look at my wardrobe, I see a map of my life. I see the structure and grace of Alabama’s Southern charm, the richness and symbolism of West African textiles, and the refined subtlety of New England’s style philosophy. A tailored blazer might be paired with Ankara-print pants. A classic Oxford shirt might be layered under a handwoven kente vest. Neutral tones find balance with vibrant accessories. I don’t feel the need to choose between cultures—I embrace them all.

Style, for me, has become less about fitting in and more about standing in truth. It’s about being intentional. It’s about acknowledging that my clothes are part of my narrative. They’re the visual extension of my values, my heritage, and my evolution. I don’t dress just for occasions—I dress to connect with my story.

One essential insight I’ve gained from this journey is that style evolves. It changes alongside you. Things that seemed unusual or awkward at first can become instinctive as you develop confidence. In a world that frequently attempts to categorize individuals, merging different influences becomes an understated form of defiance and a celebration of individuality.

My style is a living expression of three identities woven together. Each element—Southern, African, and Northeastern—brings something unique to the table. And together, they’ve allowed me to create a look that doesn’t just follow fashion—it honors memory, geography, and selfhood. It took time to arrive here, but it was worth every step.

By Roger W. Watson

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